Age Against The Machine
European Solidarity Network for Older Citizens Rights (ID.101138625)
Network of Towns, Citizens, Equility, Rights and Values Programme
(CERV-2023-CITIZENS-TOWN-NT)
Start and conclusion: 02-2024 to 02-2026
Project ID: 101138625
Seven beneficiary partner entities in Serbia, Poland, Italy, Denmark, and Portugal; and one associated partner in The Netherlands.
The Centre for Art History and Artistic Research (CHAIA, U Évora), in collaboration with Évora City Council, participates in the European program CERV Network of Cities (Citizens, Equality, Rights and Values), in the “Age Against the Machine” project (ID-101138625), with other seven international partners, to broaden the dialogue and reflect on age prejudices and discrimination at a sociocultural level in the European context. All partners will be involved in relevant sociocultural issues through the language of theatre and interactive performative methods. In particular, the Portuguese case study will work with memories, experiences, body and sensory knowledge, and the construction of images to reflect on ageing and gender and on physical and mental health issues in the sociocultural context of Alentejo. Therefore, this intergenerational community collaboration at the European level aims to challenge existing European policies regarding older populations, promoting equality and human rights as fundamental EU values.
This is a performative-based intergenerational community research involving active social participation, active ageing and well-being, intergenerational learning and sharing experiences with senior residents of the municipality of Évora and students from the University of Évora. This research involves the collaboration of Évora City Council (Socio-Cultural Department - Youth and Sports Division) in the context of Évora European Capital of Culture - 27, and it counts with the participation of 16 senior residents, 7 students in audio-visuals and performing arts, and a research team of 6 members (CHAIA UÉ- CM Évora). During an artistic research process, participants engage in a laboratory of experimentation and performative creation, with creative workshops using a combination of various participatory applied theatre methodologies.
We will engage in a process of a participatory creative dialogue and sharing with the objective of creating two performances: one that involves a performative intervention in public spaces in the city of Évora, in June 2024, and a second one, in October 2024, within an interactive scenic-theatrical format that will tour five International Festivals in Denmark, Italy, Portugal, Poland, and Serbia.
Address ageing and issues of social and economic justice for older citizens in Europe, using a combination of various participatory applied theatre methodologies.
Increase awareness, knowledge and interest of European citizens and political decision-makers regarding ageing and the position of the elderly population, an action that assumes particular relevance when developed in an aged population region such as Alentejo.
Contribution of motivated teams to accept the challenge of thinking together about complex societal challenges that the contemporary world imposes on the senior population through effort, creativity, artistic languages and participatory methodologies.
Bringing older people closer to younger people through the experience of creating and thinking together.
Value and make visible knowledge, repertoires and experiences as cultural repositories, which need to be shared in living processes of creative generational interaction, opening up the possibility of being experienced, transformed and lived.
Think about and rehearse the centrality of culture and artistic creation in a more sustainable, inclusive and participatory development of their cities.
Monitor the results of the empirical processes of all project partners and develop a body of scientific research and a methodological artistic manual based on information generated from all partners.
Develop a dissemination campaign on social media and create a council of members participating in an interactive dialogue (senior residents, young people, representatives of the media, associative and cultural structures, artists, educators, experts, and institutional representatives, among others) at national and regional level in Alentejo, to promote the challenges and themes to be addressed in the project.
Carrying out a laboratory for experimentation and performative creation with workshops and community meetings to share performative practices and involving an intergenerational group.
Presentation and public sharing of two shows/performances: a video clip (Flashmob) of a contextual (site-specific) performative intervention in public spaces in the city of Évora, in June 2024; and the premiere of an interactive dramaturgical piece with the public in a scenic-theatrical format at the end of October 2024.
Organization of the AgeAgainstTheMachine international festival in Évora, in June 2025.
Participation in four AgeAgainstTheMachine International Festivals in Holstebro (Denmark, 11.2024), Cuneo (Italy, 04.2025), Goleniow (Poland, 08.2025), and Novi Sad (Serbia, 10.2025).
Participation in conferences, national public policy awareness meetings, and the AgeAgainstTheMachine Conference in Serbia in February 2026.
Work and completion of a scientific article that presents the fundamental lines of an innovative hybrid methodology used by project partners throughout the project's empirical processes.
From the University of Évora
Principal researcher at the Centre for Art History and Artistic Research at the Institute for Advanced Research and Training / UÉ (project coordinator)
Associate professor at the Department of Performing Arts at the School of Arts / UÉ (creative community processes, dramaturgy, scenography and playacting)
Associate professor at the Department of Visual Arts and Design at the School of Arts / UÉ (multimedia art audiovisual and web communication)
Assistant researcher at the Centre for Art History and Artistic Research and manager of cultural projects at Arteria-Lab / UÉ (assistant coordination, production and management of science)
Associate professor in the History Department of the School of Social Sciences / UÉ (scientific management)
Senior technician at the Youth and Sports Division, Évora City Council (active senior promotion and inclusion programs)
Expert at the Youth and Sports Division, Évora City Council (contemporary dance, creative dance, inclusive dance, movement and body conscience)
Expert at the Youth and Sports Division, Évora City Council (physical education and sports)
Expert at the Youth and Sports Division, Évora City Council (physical education and sports)
Trainee, Évora City Council (physical education and sports)
Trainee, Évora City Council (physical education and sports)
Theater production
Theatre production, assistant dramaturgy and sound design
Assistant dramaturgy and sound design
Light design
Audio-visual video and photography production
Web design and development, social media management
Music
Professor at the Creative Practice and Embodied Knowledge research Group, University of Bath Spa, United Kingdom (practitioner-researcher in site dance practice and theory, embodied research methods, post human feminism and ecosomatic awareness).
Bárbara Godinho, Cacilda Almeida, Catarina Lopes, Clara Canelo, Gertrudes Santos, João Romão, Leocádia Figo, Lourença Nobre, Maria do Carmo Saraiva, Maria Isabel Loureiro, Maria José Romão, Maria Luisa Nobre, Mariana Silva, Margarida Alegre, Margarida Silva, Tomasia Miranda, Leocádia Maximino, Ana Rossas, Helena Sousa, Ana Maria Malta, Anabela Monteiro, Sara Romão, Gheysla Nascimento